Vorlesungsverzeichnis

Suchen Sie hier über ein Suchformular im Vorlesungsverzeichnis der Leuphana.

Start > Leuphana Bachelor (B.A./B.Eng./B.Sc./LL.B.) -> Major Digital Media -> Practical Experience in Digital Media I

Lehrveranstaltungen

Creating Interactive Multimedia Installations: Introduction to MAX (Seminar)

Dozent/in: Jan Claußen

Termin:
 Einzeltermin | Di, 19.04.2022, 09:45 - Di, 19.04.2022, 13:15 | HMS 139
Einzeltermin | Di, 03.05.2022, 09:45 - Di, 03.05.2022, 13:15 | HMS 139
Einzeltermin | Di, 17.05.2022, 09:45 - Di, 17.05.2022, 15:00 | HMS 211/215
Einzeltermin | Di, 31.05.2022, 09:45 - Di, 31.05.2022, 13:15 | HMS 139
Einzeltermin | Di, 14.06.2022, 09:45 - Di, 14.06.2022, 15:00 | HMS 211/215
Einzeltermin | Di, 28.06.2022, 09:45 - Di, 28.06.2022, 13:15 | HMS 139
Einzeltermin | Fr, 01.07.2022, 14:00 - Fr, 01.07.2022, 18:00 | HMS 139
Einzeltermin | Sa, 02.07.2022, 10:00 - Sa, 02.07.2022, 16:00 | HMS 139

Inhalt: Films as well as music tracks are predominantly produced and edited via standardized program interfaces and are fixed to a certain sequence of events or scenes at the end. MAX can be used to determine the processes of editing, the design of interfaces, and the dynamic sequence of audiovisual events. For example, a movement in front of the webcam can trigger an event that triggers various film clips whose order depends on randomness, while at the same time various controls can be used to affect both the color values of the film and an electronically generated soundtrack... In the seminar, projects such as the creation of a step sequencer, a synthesizer or an interactive film will be implemented in order to get ideas for own interactive works.

Critical Montage (Seminar)

Dozent/in: Robert Samuel Hughes Rapoport

Termin:
 14-täglich | Dienstag | 14:00 - 17:30 | 12.04.2022 - 05.07.2022 | HMS 139
Einzeltermin | Fr, 10.06.2022, 14:00 - Fr, 10.06.2022, 18:00 | HMS 139
Einzeltermin | Sa, 11.06.2022, 10:00 - Sa, 11.06.2022, 16:00 | HMS 139

Inhalt: This is a course in critical media production. We explore the specific affordances of moving images and sound to describe the contemporary world. We will ask how sequential images can be said to make a coherent argument? What are the new possibilities for expressing current subjectivities with the moving image? How can our media production take into account archives and video databases? Digital video can create all sorts of experimental associations, narratives, atmospheres, rhythms and stories. We will focus on treating moving images and audio as artistic materials to be collected and manipulated. We will learn how to move between free-form discovery and more systematic organization--working with video requires both. Finally, we will study how to gather and assemble media critically through several thematic projects. In addition to these current questions about the moving image, we will also explore themes in aesthetics more generally.