Vita

Robin completed his MA studies in Applied Cultural Science in early 2009 by finishing his thesis about Popular Music and Globalization.

In 2017, he completed his phd thesis about the development and transformation of DIY based music venues. Carrying out three case studies of DIY based music clubs in Hamburg-St. Pauli, the analysis focuses changing spatial strategies, identities and self-conceptions of the clubs within the spheres of local scenes, the city and the Music Industries. The related book 'Musikclubs zwischen Szene Stadt und Music Industries. Autonomie, Vereinnahmung, Abhängigkeit' was published in 2020.

Currently, Robin works as Post-Doc Researcher and Lecturer at Institute of Sociology and Cultural Organization. His main research interests are Culture and the City, DIY & Underground Scenes, Production of Culture, Music Industries, Livemusic & Music Venues and Cultural Participation.

He is co-series editor of 'Urban Music Studies', member of IASPM, KISMIF and co-initiator of the Urban Music Studies Scholars Network (www.urbanmusicstudies.org).

Apart from Academia, Robin worked as project manager for the ‚Hamburg Day of Music 2012‘ (NGO) and for the mission orientated research project ‘Who is Musicking in Hamburg?’ (2009), initiated by the municipality of Hamburg. For years, he was/ is organizing concerts, running a DIY Music Label and doing live-sound engineering.

Publications

Books and anthologies

  1. Musikclubs zwischen Szene, Stadt und Music Industries: Autonomie, Vereinnahmung, Abhängigkeit.
    Robin Kuchar (Author) , 2020 1 ed. Wiesbaden , 314 p.

    Research output: Books and anthologiesBookResearch

  2. Music City: Musikalische Annäherungen an die kreative Stadt
    Alenka Barber-Kersovan (Editor) , Volker Kirchberg (Editor) , Robin Kuchar (Editor) , 2014 1. ed. Bielefeld , 344 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

Journal contributions

  1. From DIY avantgardism to icons of German New Wave:: Einstürzende Neubauten and the legacy of ‘Ingenious Dilletants’
    Robin Kuchar (Author) , 01.01.2024 , in: Rock Music Studies, 11, 1 , p. 71-88 , 18 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Vom stadträumlichen Pionier zur Kulturstätte inmitten der Pandemie. Musikclubs als (sozial-)räumliche Akteure urbaner Musikökosysteme
    Robin Kuchar (Author) , 01.06.2023 , in: Standort, 47, 2 , p. 127-135 , 9 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  3. The “First Ones to Close and Last Ones to Re-Open”: Music Venues, COVID-19 and the Handling of the Crisis
    Robin Kuchar (Author) , Maxine Frey (Author) , Julia Gooß (Author) , Tim Mertens (Author) , 22.06.2022 , in: Journal of World Popular Music, 9, 1-2 , p. 170-196 , 27 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Music Venues in Transition: States of Autonomy, Dependence and Subcultural Institutionalization
    Robin Kuchar (Author) , 01.01.2020 , in: Todas as Artes, 3, 2 , p. 25-41 , 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Populäre Musik und Kulturmanagement : Komplexität des Punktuellen – oder schlicht Nadeln im Heuhaufen?
    Alenka Barber-Kersovan (Author) , Robin Kuchar (Author) , 01.01.2019 , in: Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft, Vol. 4 (2018), Heft 2 , p. 197-220 , 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

Contributions to collected editions/anthologies

  1. Musikclubs in der Livemusikökologie: Situation und kulturpolitische Implikationen in Zeiten der Pandemie
    Robin Kuchar (Author) , 20.06.2023 Bielefeld , p. 111-122 , 12 p.

    Research output: Contributions to collected editions/anthologiesContributions to collected editions/anthologiesTransferpeer-review

  2. Building Scene and Cultural Memory in the Weser Hills.: The Case of Glitterhouse Records and Orange Blossom Special Festival
    Robin Kuchar (Author) , 22.03.2023 Cham , p. 163-178 , 16 p.

    Research output: Contributions to collected editions/anthologiesContributions to collected editions/anthologiesResearchpeer-review

  3. Independent Music and Independent Music Scenes.: From DIY led Collectives to Individualized Professionals?
    Robin Kuchar (Author) , 26.01.2023 London , p. 567-592 , 25 p.

    Research output: Contributions to collected editions/anthologiesChapterResearchpeer-review

  4. Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’
    Robin Kuchar (Author) , 01.07.2018 Porto , p. 157-157 , 1 p.

    Research output: Contributions to collected editions/anthologiesPublished abstract in conference proceedingsResearchpeer-review

  5. Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces
    Robin Kuchar (Author) , 01.07.2016 , p. 113 , 1 p.

    Research output: Contributions to collected editions/anthologiesPublished abstract in conference proceedingsResearchpeer-review

Press / Media

  1. Expertenbeitrag Clubkultur / stern Magazin
    1 time cited

    Press/Media: Press/Media

Teaching