Participants
The Lab is a physical space inviting especially, but not only, students and PhD candidates of the Fakultäten Bildung, Kultur und Nachhaltigkeit, and a network and infrastructure which can support and advise you.
If you would like to be an active part of the ArchipelagoLab, just join our next Labmeeting or contact us at archipelagolab@leuphana.de.
Please, in the subject line, indicate when your request should be answered the latest while keeping in mind that it will be coming from a student assistant with an finite number of working hours.
The ArchipelagoLab was initiated by Prof. Dr. Christoph Brunner, and led by him until 2023. It is affiliated with the Dekanat and advised by Prof. Dr. Roberto Nigro, Prodekan Research.
Student Coordinator: Marie Lynn Jessen
Guests / Network / Collaborators
Summer Term 2024
Ilkay Aydemir (Leuphana)
Yvette Christiansë (LIAS Fellow, Leuphana/New York City)
Linn Felgendreher (Leuphana)
Leon Follert (Leuphana)
Smilla Grubert (Leuphana)
Frieder Janz (Leuphana)
Julia Jeske (Köln)
Marie Lynn Jessen (Leuphana, Koordination)
Katharina Tchelidze (Leuphana)
Kyle Wendt (Leuphana)
Julian Volz (Leuphana)
Kunsthaus Hamburg
Winter Term 2023/24
Ilkay Aydemir (Leuphana)
Linn Felgendreher (Leuphana)
Leon Follert (Leuphana)
Çiğdem Inan (Berlin)
Frieder Janz (Leuphana)
Julia Jeske (Köln)
Marie Lynn Jessen (Leuphana, Koordination)
Irine Jorjadze (Tbilissi, Georgien)
Katja Lell (Hamburg/Köln)
Marian Mayland (Mannheim)
Sophie Peterson (Leuphana)
Katharina Tchelidze (Leuphana)
Kyle Wendt (Leuphana)
Zi Li (Köln)
Lesekreis Politiken und Theorien des Begehrens (queer Edition)
Summer Term 2023
Ibã Huni Kuin und Daniel Dinato (Brasilien/Kanada)
Raphael Daibert (Leuphana)
Gerko Egert (Gießen)
Marie Lynn Jessen (Leuphana, Koordination)
Arthur Siol (Leuphana, Koordination)
Lucas Tiemon (Leuphana)
Lisa Behrendt, Hanna Zeyen (Braunschweig/Lüneburg)
Liane Schlumberger und Max Waschka (Leuphana)
Initative "Undoing Unease"
Projekt „Alltag im Dissens“ in Kooperation mit der Forschungsinitiative Kulturen des Konflikts
Winter Term 2022/23
Sophia Bembeza (Athen)
Edith Brunette (Montreal/Berlin)
Nik Forrest (Montreal)
Julia Haas (Wuppertal)
Dejla Haidar (Kobanê Universität, Rojava Universität Qamislo)
Paula Hildebrandt (Hamburg)
Marie Lynn Jessen (Leuphana, Koordination)
François Lemieux (Montreal/Berlin)
Gabriel Francisco Lemos (São Paulo)
Arthur Siol (Leuphana, Koordination)
Alanna Thain (Montreal)
Jana Vanecek (Zürich)
Kathrin Wildner (Hamburg)
Summer Term 2022
Sophia Bembeza (Athen)
Dr. Felipe Castelblanco
Flavia Meireles
Julia Mensch
Tiara Roxanne
Fabian Schäfer
Rasa Smite
Yvonne Volkart
Winter Term 2021/22
Nuria Krämer
Patrick Müller
Jana Vanecek
Maju Martins (Brasilien)
October - December 2018
In coorporation with Prof. Dr. Ursula Kirschner
https://majumartins.wordpress.com
Artist Talk
23.10.2018 | 18:15 | C5.225
In this conversation, Maju Martins will present different practical experiences with and by groups and contexts that use artistic practices to produce new understandings about different topics. All are invited to reflect on and discuss these strategies as ways to develop new methodologies of knowledge production, teaching and learning.
Workshop | Frontier Zones in Urban Spaces: Images, Sounds, Movements in History
12.12.2018 | 13:00-17:00 | C5.225
By Maju Martins and Ursula Kirschner
This workshop is an invitation to reflect and discuss about the concept of Frontier Zones in different contexts. It will present and negotiate the processes and results of three different research and didactic experiences. Two International Summer Schools entitled “Frontier Zones” that took place in Brazil (2015 and 2017) and a seminar entitled Frontier Zones in Urban Spaces at Leuphana University Campus in 2018. The main objective of these experiences was to highlight the value of experience-based learning approaches and the method of documentary filmmaking with the focus on the audio-visual without explanatory words. The aim resided in creating methodologies and knowledges from urban audio-visual exploration applying the techniques of documentary filmmaking as a medium to reveal new insights and readings of contemporary spaces.
The workshop will be divided into two parts. Starting at the Kunstraum, the audience is invited to take part in an audio-visual exhibition that will occur in three different places around the Campus. The projected short films are a result of the seminar. The second part, back at Kunstraum, will include the screening of two films produced during the Frontier Zones International Summer School presenting the ideas and practices involved in those experiences, coordinated by Professor Ursula Kirschner in collaboration with Maria Julia Martins.
Sissel Marie Tonn (The Hague, NL/DK)
04. Januar 2017 - 27. Januar 2017
Sissel Marie Tonn is a Danish artist living in The Hague. She works with multi-media installation, drawing and writing, and her processual approach is driven by a great deal of curiosity and the possibilities of building relationships across fields.
Her work builds upon an interest in "presence" within ecologies undergoing subtle or profund changes. Within this discourse the work explores these environmental (often humanly induced) changes, extending the public debates towards epistemological issues connecting these events to the body and its sensing of presence. She has lived and worked in Copenhagen, Toronto, Berlin and is now based in The Hague, where she is continuing to engage in community projects, host workshops, events and group exhibitions. She is the co-founder of the artist initiative Platform for Thought in Motion together with artist Jonathan Reus. Together they arrange events in The Hague, in collaboration with the artist initiative iii. She completed a master in Artistic Research at the Royal Academy of Art in The Hague 2015.
The Intimate Earthquake-Exhibition
Exercises for the Possible
I have always been fascinated by the concept of relation - and the quest of making the ever-fluctuating, reciprocal and entangled relations between body and environment tangible. The objects, exercises and gestures that I create in my work are ways of making relations felt. My work deals with instances where environmental changes affects the body, and how this afford a kind of increased sensory awareness of the surrounding environment. Currently I am developing a new conceptual framework in which I situate these works, that of "Procedural Tools" (a concept taken from Arakawa & Gins) which will be the focus for my residency at Archipelago as well. Procedural tools expose the expansiveness of the sensorium - ever-evolving and plastic in themselves, morphing into new configurations along with the body/environment ecology. Thus they afford an opportunity for the body to attune to subtle changes within an environment, or challenge its own inherent plasticity.
The residency will be an opportunity to develop further a series of worn objects that reposition the perceptual posture of the body. By developing a fictional/poetic framework around procedural tools (through writing, procedures and performative presentations) I wish to develop a strategy of "multi-sensory storytelling" around the concept of relation. How can a hybrid practice combining worn objects and speculative poetics offer a way to explore our own plasticity?
I am interested in creating work that challenge the cognitive block of insurmountable doom often mentioned in the same breath as climate change. I want to create work that in a way re-calibrate the senses to even the subtlest of changes occurring in the body-environment ecology - and thus may perhaps even play a role in speeding up the adaptive process towards perceiving the looming threat of environmental degradation and adapt to it accordingly.