Professorship for Provenance Studies
Research and teaching in Provenance Studies, under the direction of Prof. Dr. Lynn Rother, focus on the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.
To further the understanding of the discursive and theoretical landscape related to the circulation of artworks, we critically engage with contemporary and historical debates. Our art and cultural history perspective is equally informed by legal, sociological, and economic considerations. Here, we pay special attention to the exploration of contexts of injustice (national socialism, colonialism). We also investigate art market aspects from critical lenses, such as forgery, corruption, and discrimination.
An essential component of our teaching is the inclusion of partners and concrete research projects, such as the Provenance Lab and its experimental research. Within the framework of excursions, we not only visit exhibitions, but also archives, and the depots and restoration workshops of museums. The exchange with curators, provenance researchers, artists, and experts of the art market is thereby central.
Selected Teaching
Provenance and Art Market Studies |
Museum and Memory Studies |
Computational Art History and Provenance Research |
The Dialectics of Restitution Decollecting. Museums and Deaccession Stolen from Thieves? German Museums and the Nazi Era All looted art? Museum property from contexts of injustice Going once, going twice... The Auction Market from an Archive Perspective (in cooperation with ZADIK – Central Archive for German and International Art Market Research, Cologne) Museum or Memorial? Displaying Object Histories in the Humboldt Forum (in cooperation with TU Berlin) | Mining the Museum: Critical Intervention in the Salt Museum (in cooperation with the German Salt Museum) Mining the Museum: Perspectivizing Art Histories (in cooperation with the Kunstsammlungen der Ruhr-Universität Bochum) Telling the Untold: Hamburg's Colonial Archives and the Trade of Chile Saltpeter (in cooperation with the German Port Museum) Tracing Brandhorst: Re-Imagining a Collection (in cooperation with the Museum Brandhorst Munich) | Digital versus Humanities: Introduction to Digital (Art) History Colonial Injustice in Data Just a Fig Leaf? Digital Transparency of Museum Collections from Contexts of Injustice (in cooperation with Landesmuseum Hannover) Collecting Women: Linking People Data (at Hamburg Media School) Digital Gurlitt: Curating Museum Data of a „Nazi Art Treasure“ (at Hamburg Media School) |
Current Research Projects
Modern Migrants: Paintings from Europe in US Museums (Volkswagen Foundation)
Provenance Lab (Volkswagen Foundation)
Provenance and Collection Research Digital - Subproject: PAESE 3.0 (funded through zukunft.niedersachsen)
(Un)Mapping Infrastructures: Transnational Perspectives in Modern and Contemporary Art